I recently read this book after a conversation with my Thursday breakfast group in which one of my friends told me I should read it. There is a lot of both uncritical praise and heated criticism of the book on the Internet, and my initial reaction was more along the lines of the latter, but I've checked myself in the last day or two and have decided to do my best to give the book a balanced review, after which I will shut up entirely about the book altogether.
The Shack is written by William Paul Young, a middle-aged, Canadian-born man who currently resides in Oregon, the setting of the book. Young was raised by missionary parents in Dutch New Guinea, and suffered sexual abuse as a youth at the hands of members of the church his parents were pastors of. He currently is not a member of a church, and says that institutional church "doesn't work for those of us who are hurt and those of us who are damaged." Young has certainly seen his share of damage and hurt, and caused a wee bit too; he cheated on his wife with her best friend when he was 38 and their marriage almost ended. He spent years recovering from the damage his marriage sustained. He sees himself as someone who thinks outside of 'the box', and feels his ideas don't mesh well with the teachings of the church, but has a strong sense of closeness to God, who he calls 'Papa'.
The plot of the Shack is fairly straightforward: The main character, Mack, loses his daughter Missie in a tragic kidnapping and murder while on a camping trip. Three years later, he receives a letter in his mailbox from God: "It's been a while since we talked. Meet me at the shack next weekend." The note is signed, "Papa," which is his wife's affectionate nickname for God. Mack arranges the trip without his wife's knowledge; she, by fluke, leaves town that weekend to visit the San Juan Islands with the kids. Mack makes the trip in a truck borrowed from his friend Willie (who it turns out is the narrator of the story and has the same name as the author). When Mack arrives at the shack in the midst of a snowstorm, he falls into a deep sleep and wakes up to find the snow gone; it is spring, and the shack has turned into a log cabin. He enters the cabin to find himself face to face with a black woman who introduces herself as 'Papa'. Sure enough, it is God the Father, who introduces him to Jesus, a homely Middle-Eastern man, and Sarayu (the Holy Spirit), who appears as a beautiful Asian woman. Mack spends the weekend eating, drinking, walking and talking with God as manifested in these three persons. The bulk of the book is a dialogue between Mack and the persons of the Trinity. During this weekend, Mack undergoes a process of personal transformation which involves forgiving himself, his father, his daughter's murderer and, most importantly, Papa. This forgiveness enables him to bond with Papa, and the resultant relationship with Papa makes him a new person. I will leave out a few of the crucial plot details for the sake of those who intend to read the book and haven't yet, but that is pretty much the gist.
I have to come out and say I thought the writing style was terrible. I was so sick of simile (i.e. 'like', 'as it were' and 'as if' used repetitively throughout) by the end of Chapter 1 that I wanted to strangle the writer. Things like, "His sadness swept over him LIKE a tidal wave," or "it was AS IF a giant hand had grabbed him and squeezed him in its icy fingers," just about drove me bonkers.
There are many reviews on the web already pointing out the theological errors in this book, and I believe they are most certainly accurate in their criticisms, and so I don't really wish to add my voice to their number because it would be a waste of time, although I am certainly concerned about what Young 'teaches'. Suffice it to say that the most important errors concern how Young understands the Trinity, the relationship between God's will and evil, and the nature of the Church. For your interest, I'll provide you with some links:
Tim ChalliesBen WitheringtonWalter HenegarAnd, just for a little balance, on the other side of the fence, the Internet Monk (although he too admits the presence of error)Young has defended himself against theological criticisms by stating that he wrote a work of fiction and did not intend for the book to be a theological treatise. Most of his defenders (and he has many) repeat this line of defense as well, although they simultaneously state that this book has deconstructed every 'stereotype' they previously held of God. I find this defense interesting, for reasons I'll now state:
I've listened to interviews with Young and read his notes on the writing of the book. He says that his wife, a few years back, asked him to put his 'very different' ideas in book form so his family and friends could read it. Over the course of a few years and a few thousand train rides while commuting, he wrote pages upon pages of imagined conversations with God, the bulk of which found their way into the book. As these dialogues formed, he imagined a story into which these conversations could be situated, and the character of Mack was born, the details of his tragedy were conceived, and the story evolved into what it is today.
It would seem that, by Young's own admission, the story is secondary to the ideas presented in the conversations between Mack and God. These conversations read rather like a Socratic dialogue, in which Mack provides questions almost on cue to direct the line of conversation God follows. It is almost certain that God's words express Young's actual ideas about God. God's words about church, the egalitarian nature of the Trinity, predestination etc. very clearly reflect the ideas Young appears to hold (as evidenced by the writings and links on his blog, which seem to indicate that he holds a position commonly referred to as "Christian anarchism"). Young obviously does not believe in a God who forces His will upon the universe; he doesn't believe in the primacy of the Father in the Trinity; he doesn't believe in the institutional church or hierarchy therein; he doesn't believe God wills evil in any sense (ultimately or providentially) because God doesn't rule His creation coercively whatsoever (i.e. He doesn't force His will on anyone or anything). Whether one sides with Young here or not, it must at least be acknowledged that he is certainly arguing for his own position by rhetorically putting these arguments in the mouth of God. However, when his arguments are criticized, he neatly dodges the criticism by saying that the conversation is fictitious and not meant to be real theology.
I have to say that I find this technique to be a bit unfair. It would seem strange to take anything that Papa says seriously if none of it those words are meant to correspond to how God actually is. Yet this is actually what people are doing; they claim that their perceptions of God have radically altered. Why should this be, if Papa is not meant to truly be a reflection upon the God who is real? Young certainly believes that the impact of his book on the masses is "from the Lord". On his website he states that he wants people to get to know his "Papa". In the notes he writes about the book, he states that the book grew out of his reflections on the nature of God, and is meant to reflect his views. And yet, when criticism arises, he retreats neatly under the cover of 'fiction'.
However, I don't wish to say that the book has no value. It does indeed have great value, and I believe there is good reason for the popularity of the book (other than it being "from the Lord").
Value: The book compellingly describes the process of grieving a death, and compassionately leads the reader through the story of Mack's "Great Sadness", and vividly depicts the painful but necessary process of forgiveness. Indeed there are a few stereotypes of God that it successfully dispels: for example, Young reminds us that God is neither male nor female, as Papa states; rather, the mystery of human gender (meaning both genders) is derived from the nature of God in whose image both male and female are created. Young also vividly narrates a vision of the Holy Spirit's diversity and continuous labor. Further, God is indeed less interested in our performance than in our willingness to encounter Him honestly and openly as we are. God indeed desires true intimacy with us, and that is in fact what our souls were created for. This is the greatest value of the book, as Young vividly paints a picture of a God who is willing to sit and have coffee with His children, a God who is very much like the wonderful monks I love to visit in Gibsons; kind, loving, hospitable, approachable and certainly not afraid of my humanity.
Popularity: I believe the book taps into the popular dissatisfaction with institutional church, rules-based Christian religion, theology, seminaries, dogma etc. In other words, Young's audience is fed up with intolerant, ungracious and intellectual Christianity. This is surely nothing new; surely Papa is preaching to the choir of disgruntled Christians (and how well she does it! "You sho' don't trus' My ways, does you Mack!").
I do feel compassion for Young, as he reminds me of so many people in the church I grew up in. Our family, too, has experienced its fair share of spiritual abuse, particularly the abuse of spiritual authority and trust by pastors. We've been gossiped and hen-pecked to death. So many of my parents' friends no longer attend church, and I can't say I don't understand why they wouldn't want to. Nonetheless I see them spinning their wheels spiritually, and I do think dropping out of church, as much as it is a relief in the short term, only leads to death in the long term. Young's concept of church as community/family is certainly a good place to start, but it never moves beyond BBQs and coffee groups to something stable, Eucharistic and life-giving. Young's church is a spider's web of connections between cells. It fails to become a real body. And so finally I feel that I must speak the truth in love as much as I am able.
Young is a kind man and he means very well. I think that what he has written will provide many people with a way to express what they have been feeling now for a very long time, and I think it will lead many into truer and more beautiful relationship with God. However, I fear that in doing so, he is also reinforcing bad stereotypes of God and slagging both church and Scripture in the process, and what he's written will only widen the gulf between Christians and the Church, not bridge it. I only hope that those who take comfort and healing from the book (which is surely up to God in the end) will move past their pain and rediscover the joy of fellowship in the visible body of Christ, i.e. the local church (which is surely also God's responsibility).